Originally from Trinidad and Tobago, Megan Gill is a central figure in Caribbean cultural engineering. With over 16 years' experience, she navigates with rare ease between artistic direction and high technicality, covering theater, music and immersive scenic devices. Trained as a bassist and now an expert in cultural management (Master of Arts & Culture), she has collaborated on projects of international scope, from coordination support for the Prague Quadrennial to stage management for Grammy Award-winning artists.
Her hybrid expertise - combining lighting design, sound engineering and digital strategy - enables her to bring Caribbean stories up to world-class standards of excellence. Beyond the technical, she defines herself as an ecosystem builder, capable of transforming an artistic vision into a complex and powerful physical reality.
Her presence at 150m altitude marks a time of exploration dedicated to the hybridization of the arts. Megan immerses herself in the territory to discover how cutting-edge tools, such as motion capture, can be integrated into live performance and theater. Her aim is to test new use cases where technology doesn't just accompany the performance, but becomes a lever of transmission and innovation for Caribbean imaginations.
